We play with two opposites aesthetics: the sophistication of the nobility on The Queen’s label, against a rough and improvised corsair’ relabeling.
A white cotton paper presents the label of The Queen, white with shades of turquoise and gold typical through classicism. Different stamping and embossing processes with metallic inks give a quality twist to this label common in that period.
We create the freebooter’s balance superimposing a light ripped paper of reused appearance, with two colors of black shaping a skull.